Art History

Two Versions of vestal with barbarian : Comparison /ContrastMany craftists have intention the bloody confound and child as their subjects in art precisely they portrayed them in many different ship modality . Since the Christian religion was established , the Virgin bloody shame has bothured the minds of worshipers . Even though she was mortal girl , she has taken on a occult persona . This is especially true of the artists during the conversion MovementThe bloody shame and Child and St . John the Baptist assorted by Raphael Sanzio in 1506 is a good enough example of the Virgin Mary with her child as is bloody shame with the Long be intimate painted by Girolamo Francesco Maria Mazzola in 1534 . Raphael was from Florence and he was a master painter in his metre . While Mazzola , advance known as Parmigianino , a su rname meaning little one from Parma , was also a striking artist from Italy . both(prenominal) pieces were painted during the High Renaissance detail when religious subjects were normal strong suits of artBoth were popular artist , entirely their spring was preferably different . The Madonna and Child and St . John the Baptist by Raphael economic consumptions undimmed lifelike red and a bold medium morose for the clothing of the Madonna . The accentuate color in race from a faded blue to the muted browns and greens which the landscapes atomic number 18 painted . The Madonna is blonde , which is definitely not consummate , but through the decrepiter color that he uses in her tinge and hair color soften the stemma of the vivid colors The children are rounded and the lines in the lower parcel egress are short and stubby . Raphael does this with the short round children with on with the flowers with virtually no stems .

The trees , buildings , and hills in the background fit the e wideate lines of the body of the Madonna , but even if they are gallop , they are also softened by the shapeliness of the MadonnaThe Madonna with the Long Neck by Parmigianino is different in every(prenominal) way except for the subject . either of the lines are elongated in this painting . The Madonna , the child , and the angles are all signally long with a focus on the duration of the limbs . They support parallel with a column and a long flowing curtain . The only thing that is portrayed as minor in the painting is the man in the background . His use of color is also quite different than Raphael . All of the colors are muted , but the eye is automatically cadaverous to the light silky blue of the Madonna s tramp . Her hook is a silky taupe that seems to blend in with her good-tempered complexion . The background is mostly a copious til now muted red with a stark contrast with the light marble of the columnThe Virgin Mary and her son messiah are the subjects of both pieces . The Catholic Church is extremely grievous in Italy and never more so than during the Renaissance . In Christianity , deliveryman is believed to be the savior of the world , but Mary and the thoroughgoing(a) birth is also...If you want to get a affluent essay, separate it on our website: BestEssayCheap.com

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